Berlanti Triumphant

Today Greg Berlanti’s DC journey has come full circle. The big announcement about HBOMax, Warner Bros’ entry into the overcrowded world of streaming services, included news about another Berlanti DC Comics show – he will be creating a Green Lantern series. That particular property is significant because it’s the one where Berlanti entered the DC Extended Universe… and it was a major failure.

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JUSTICE LEAGUE: Crisis On Infinite Not Giving A Shits

I vividly recall watching Batman v Superman at a press screening. It was the first screening, a showing at the IMAX at Universal City Walk, and there were maybe nine of us in the audience. Twenty minutes into the movie I was ready to give up; the film was assaultive, obnoxious, almost physically painful to sit through. Watching in that environment felt like getting beat up. Going into Justice League I figured that if this film didn’t evoke a fight or flight response in me I would have to say that it was at least better than BvS.

And… it is. Yet at the same time Justice League offers us a new perspective on the disaster that was BvS, a new way of looking at that film. For all its flaws, for how bad it was, BvS was the work of an author. It was a movie with a point of view and a style, and even if I hated everything about that POV and everything about that style as presented, it at least had them. To quote a great thinker:

I mean, say what you want about the tenets of National Socialism, Dude, at least it’s an ethos.

Justice League has no ethos. It’s an empty, bland motion picture product without a personality or anything to make it feel special beyond the fact that it’s using different intellectual property than other comic book movies are using. It’s a dutiful exercise of corporate art in the service of advancing a larger franchise that the studio hopes will make money. The movie has no reason to exist, and I mean that from an internal, in-universe way.

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