SHAZAM! Earns The Exclamation Point

Being a hero is a choice, one that’s never too late to make and that never has to be made alone. That trinity of concepts is the beautiful and emotional throughline that holds together the light, breezy and fun Shazam!, taking this superheroic riff on Big and elevating it to a place that resonates on the same emotional and thematic frequency as Donner’s Superman, a movie as focused on the small humanity of heroism as the big superhumanity of it.

Based on one of the least cool DC characters, a character who was ingested into that universe in a business deal but who has never quite found his place in the pantheon (not for lack of trying or lack of quality comics), Shazam!opts to embrace everything that makes its source material so out of step. It’s a family movie, a funny movie, a loving movie, a hopeful movie, a movie whose hero earnestly says “Holy moly” a couple of times. Most of all it’s a kid’s movie, just as Shazam (or Captain Marvel as he seemingly cannot be legally called in this film) is a kid’s hero. And I don’t mean that in a dismissive or condescending way, but rather that the character represents the positive peak of the wish-fulfillment possibilities of the superhero genre.

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