Why I Liked The Ending Of YEARS AND YEARS

A few weeks ago I did a Recommendation of Years and Years (if you don’t know, $5 and above Patrons at my Patreon get weekly Recommendations of all sorts of stuff, and it’s not just a quick thing – I write about it), even though I hadn’t finished the show. In the modern era I hate doing this, because too many shows don’t stick the landing, but I was loving it so much three episodes in (out of six) that I felt the need to write about it.

The show had already aired in the UK and I heard from some blokes that actually the series did not stick the landing, and that the ending was pretty terrible. This kind of put a damper on my viewing, and I held off a couple of weeks on the final episodes of Years and Years, waiting until the whole show was done so I could blow through the final eps.

Turns out I loved the ending. 

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On Patreon: Recommendation: YEARS AND YEARS (TV Show)

Every week subscribers at the $5 and above level on my Patreon get a new recommendation. Sometimes it’s a movie, sometimes a book, sometimes a song, sometimes a self-help technique. Each week I not only recommend something, I write about it with some depth. This week I’m recommending the show Years and Years, now playing on HBO. This is a peek at the piece; to read the entire thing, which is much longer, become a $5 or above subscriber at Patreon!

Have you ever, in these past three years of the Trump administration, said to yourself “I wouldn’t believe this if it were in a movie/book/TV show!”? Russell T Davies has taken that up as a challenge with his limited series Years and Years, the scifi TV show so absolutely relevant and believable that it has given me a number of anxiety-related stomach aches in just three episodes.

The premise: we follow a British family over the course of 15 years, starting in 2019, as the world continues on its current path. Each episode fast-forwards through a year, replicating the breakneck sense of our current society hurtling out of control. And holy shit, does Davies think we’re going to dark places.

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