The first few paragraphs of this are spoiler free, but major spoilers do arrive.
Who knew murder could be so fun? More importantly, who knew murder could be so nice? Rian Johnson’s whodunnit, Knives Out, may be the singularly nicest and most kind murder mystery anyone has ever made, an Agatha Christie-style sleuthfest with kindness and love as its guiding principle.
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This contains full spoilers for Hereditary.
Stephen King famously dislikes Stanley Kubrick’s adaptation of The Shining. As I watched Hereditary I thought a lot about King’s problems with the portrayal of Jack Torrance in that movie: “When we first see Jack Nicholson, he’s in the office of Mr. Ullman, the manager of the hotel, and you know, then, he’s crazy as a shit house rat. All he does is get crazier.”
There’s something similar happening with Toni Collette’s Annie in Hereditary. By the end of the movie she’s a raging crazy person in boots and a nightgown, but it’s not that much of a distance from where she starts out at the beginning of the film. Now, I know that’s part of the point – much of what writer/director Ari Aster is doing in this movie is talking about the transmission of generational trauma – but what this means functionally is that Collette, and the movie around her, very quickly get to 11 on their amplifiers. This is a movie that gets broad very fast, and as a result I spent a lot of time not quite sure if I should be laughing as much as I was.
Continue reading “HEREDITARY Is The Camp Classic Of 2018”