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What you have to understand about George A Romero is that he chose to stay independent. Over the course of his career he made films with studios – with mixed results – but when Night of the Living Dead was an unexpected smash Romero could have cashed in and left Pittsburgh behind. Except that wasn’t who he was, and the filmmaker stayed home and stayed indie.
For the next decade he busted his ass; he followed up Night with some forgotten films, and along the way he made a quiet masterpiece, Martin. It wasn’t until ten years after Night that he again struck gold, this time with the sequel Dawn of the Dead, also independently produced. Instead of going Hollywood Romero opted to pivot from that success and make what might be his most personal movie, the movie that explains his intense desire to stay indie for as long as possible: Knightriders.Continue reading “Now On Patreon: KNIGHTRIDERS: George Romero’s Flawed And Ambitious Masterpiece”