The Greatest Special Effect In Movie History

Today HBO Max launched. I broke in the service for myself by watching what might be the greatest movie of all time, The Wizard of Oz, which I have seen more times than I can count, including multiple viewings in the theater. To me the theatrical experience of this film is miles beyond the home video experience, but at any scale this is one of the best movies ever made, a truly vibrant and nourishing example of how cinema can transport us completely. 

One moment that always works for me, that always brings with it a wave of emotion and awe, is the famous transition from sepia toned Kansas to Technicolor Oz. It’s the moment when the film shifts, when cinema itself shifted, and the secrets behind it are incredible. I think this is the greatest special effect in movie history. 

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The Ending Of THE WIZARD OF OZ Isn’t Complete Bullshit After All

The Wizard of Oz is one of my favorite movies, but I used to really hate the ending. I couldn’t get with Dorothy’s realization that there was no place like home, especially after she had been in candy-colored Oz and seen so many wonders. It felt like a cop out to me, like the movie just needed to end and it couldn’t end with this girl separated from her family forever.

Like so many other things in my life, I was wrong about the ending of The Wizard of Oz. Sure, Dorothy’s last lines are a little extreme (“And I’m not going to leave here ever, ever again, because I love you all!” Like, leave the door open for a nice vacation, or even a road trip), but it’s the insight she gets in her final moments at Oz that has become meaningful to me:

“And it’s that if I ever go looking for my heart’s desire again, l won’t look any further than my own backyard… because if it isn’t there, l never really lost it to begin with.”

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