Pier Paolo Pasolini was a homosexual and a Marxist, an atheist and an artistic lightning rod. When he turned his attention to the life of Christ in 1964, many were shocked, especially coming on the heels of his latest short, which had drawn fire for being blasphemous. And yet his film The Gospel According to Saint Matthew is not a rebuke of Christianity or the Church, but rather is a profoundly simple celebration of the radical aspects of Christ’s teachings. Rather than a deconstruction, The Gospel According to Saint Matthew is a reconstruction of Christ, recapturing from the grips of the greedy and the powerful the peasant laborer who would become a prophet and Messiah.
Pasolini is one of my great cinematic gaps. As a fan of extreme cinema I have of course seen Salo, but that’s it – I have no other Pasolini in my eyes. This week I decided that with Christmas on the horizon and a desire to watch something meaningful (with work being as busy as it is I only get out to blockbusters lately), I would give Pasolini’s account of Christ my time. I am beyond glad I did.Continue reading “Review: THE GOSPEL ACCORDING TO SAINT MATTHEW (1964)”