This will contain spoilers for All-Star Superman and Watchmen on HBO. Spoilers for Watchmen will only be for what has aired, as I don’t have access to screeners.
We’re at the end of this season of Watchmen, HBO’s audacious sequel to the Alan Moore/Dave Gibbons masterpiece. I have a lot of feelings about the show (I’ve written a thousand words I’ll probably never publish about whether or not it was correct to answer a question Moore purposefully and thematically left unanswered in the comic. The show is very good, but as a huge fan of the comic (I have a Dr. Manhattan tattoo!) I get twitchy about some things), but in general it’s been absolutely amazing.
What’s been most amazing about the show – so far – is how thematically and emotionally in line with Watchmen the comic it is, while at the same time seeming to push back on some of the comics’ initial thesis. Moore and Gibbons were doing a deconstruction in Watchmen, taking apart superheroes and displaying their fascism and perversion. He was taking the white adolescent male power fantasy and peeling away the veneer and showing the ugliness beneath it. But Damon Lindelof’s (and company) take on the sequel feels more like a reconstruction.
Continue reading “Does Grant Morrison’s ALL-STAR SUPERMAN Give Us The Ending Of HBO’s WATCHMEN?”
Today’s big news is that JJ Abrams and his Bad Robot will be leaving Paramount to set up shop at Warner Media in a very lucrative deal that will see JJ producing movies, TV and games for WB. It’s a big move, and it’s part of WB’s recent signings intended to try and safeguard some talent from being tied up at Disney forever and ever.
The word is that Warner Bros wants JJ to create original, new franchises, and that’s admirable, but I’m not sure he’s the guy. Let’s put it this way: he’s never done that. He’s created/produced some successful TV series, and I think he’ll probably do more of that with Warner, but he’s not launched a new movie franchise yet.
Continue reading “Is JJ Abrams Coming to Rescue the DC Movieverse?”
Marvel set up their cinematic universe in phases. The first phase was leading up to The Avengers; the financing deal the then-fledgling studio got would allow them to make The Avengers pretty much no matter what, although they had contingency plans in case the solo movies bombed (there had been talk of releasing the movie as an Iron Man sequel, for instance).
Since then the phases have been largely delineated by the Avengers movies, with the solo films swirling around and leading into the next team-up movie. It has, to put it mildly, worked. The planning has not been impeccable, but it has been strong enough so far to overcome director changes and the vagaries of public interest.
The DCEU (DC Extended Universe, what the fans call the DC Comics Movieverse) has not been so lucky. The DCEU has seemed like a cinematic encapsulation of the phrase “Man plans, God laughs.” Looking to compete with the MCU, DC’s parent company Warner Bros in 2014 announced an ambitious slate of superhero films… and the wheels started falling off almost immediately. Two of the films from that slate – Justice League, Part Two and Cyborg, are functionally gone. Another, The Flash, is supposedly happening, but has been plagued with the kind of director turnover that can only be attributable to the production office being built on a cursed burial ground. Batman v Superman: Dawn of Justice was savaged by critics and came up short at the box office. Justice League was destroyed by critics and audiences, and was essentially a bomb, not only failing to crack the gold standard one billion dollars worldwide, but actually earning less than every previous DCEU film.
Continue reading “The End Of The DCEU Phase Zero”
Here’s the great yin and yang of our time: DC’s movies are terrible, while their TV shows tend to be rather delightful. Marvel makes the best movies, but their TV shows lean towards the very bad. Weirdly the only place where this dichotomy is broken is when it comes to animated DC movies – they are actually really great, better than the live action DC movies and stake out their own weird space in the superhero universe.
Lego Batman was a blast, and I think was one of the better Batman movies ever made. It really got to the heart of the character, while also poking a lot of fun at the character. And now Teen Titans Go! To The Movies has arrived and is a better DC Universe movie than any of the live action DC Universe movies, and it accomplishes that while being wildly irreverent and disrespectful… but in a truly loving way.
Continue reading “TEEN TITANS GO! TO THE MOVIES: Disrespecting DC, And It Works”
There’s a lot of Krypton retcon happening these days.
Let’s start with the world of comics, since there’s big news there: Brian Michael Bendis, one of the most Marvel-associated writers of the past few decades, has jumped ship to DC. After redefining Spider-Man and inventing Jessica Jones he was tempted away by the chance to write Superman, and who can blame him?
His first issue is out this week, Man of Steel #1, the beginning of a weekly Superman saga. The issue itself is… fine? In true Bendis fashion the whole issue feels like a prologue, or like the first five pages of a more complete comic book, but he loves that decompressed storytelling, so we get three pages of Superman meeting a new fire chief. It also introduces a new villain to the Superman mythos, one who seems to have a connection to the destruction of Krypton.
Continue reading “We Live On Krypton”
Because I am who I am I have spent some time considering which major superheroes most reflect Buddhism, and who reflects it the least. You should probably stop reading here.
Continue reading “The Dharma of Batman”