“Wars not make one great.”
That a movie series called Star Wars should lean so heavily on violence as a problem-solving tool shouldn’t, on the surface, be that surprising. But ever since George Lucas established the black and white morality of his galaxy far away, he’s been trying to subvert it. He didn’t always succeed (or when he succeeded the movies weren’t all that good), but right from the first sequel, using the quote above, Lucas was pushing against the martial universe he had created.
Continue reading “Healing the Dark Side in RISE OF SKYWALKER”
This review is fairly spoiler-free.
In the beginning there was the word, and the word was Starkiller. From this humble start came dozens of iterations, concepts, ideas and drafts until what finally emerged, like a triumphant amphibian climbing from the primordial ooze, was Star Wars, later known as A New Hope.
All beginnings have ends, of course, and 42 years later the ending of that new hope – or one particular aspect of it, anyway – has arrived. I’m tempted to continue the Biblical allusions here and talk about how at the end, as in the end of the Bible, there is a Beast, “having seven heads and ten horns, and upon his horns ten crowns, and upon his heads the name of blasphemy.” Maybe once upon a time I could get have gotten worked up into that John the Revelator mode, but that time is past. I’ve lived through the Prequels and the wars over The Last Jedi; I’ve seen the eradication of swaths of the Extended Universe and I’ve witnessed the birth of a really coherent and exciting transmedia canon. I’ve seen worse, and I’ve seen better, and in the end The Rise of Skywalker is more a disappointment than a blasphemy. And who can worry about blasphemies in Star Wars post-midichlorians anyway?
Continue reading “STAR WARS: THE RISE OF SKYWALKER Taught Me To Love The Prequels”
Ben Solo is going to get redeemed. You can count on it, at least if JJ Abrams understands even the smallest thing about the moral universe that George Lucas created in the first six Star Wars films. Redemption is as baked into the DNA of Star Wars as lightsabers and space battles, and to swerve away from that in the supposed final chapter of the Skywalker saga would be far more shocking than killing off all the characters at the end of Rogue One. Whether that redemption involves a love scene with Rey remains to be seen (don’t count on it), but by the end of the film Kylo Ren will have returned to being Ben Solo, and he will have found redemption.
Continue reading “Kylo Ren vs Cancel Culture”