Years ago I interviewed Steven Spielberg and I told him that even well after the release of AI: Artificial Intelligence people on the message board of the site I wrote for, CHUD, were arguing about the ending.
“Oh I know,” he told me. “I love reading all the arguments. And I love that they’re still arguing.”
Nineteen years after the release of AI it seems to me the arguments should be over but when I tweeted about watching the film this week I was immediately – within seconds! – hit with responses that said the movie should have ended with David trapped under water, spending all of eternity gazing upon the Blue Fairy.
Continue reading “The Perfect, Shattering, Bittersweet Ending Of AI: ARTIFICIAL INTELLIGENCE”
Quick note up front: this site is currently being swarmed by trolls sent from anti-SJW/GamerGate type site, so all comments are being pre-moderated. Sorry for the temporary inconvenience.
Mike Flanagan’s The Haunting of Hill House on Netflix is a masterpiece. Wildly divergent from the book on which it’s based, Flanagan’s show is a brilliant examination of trauma, especially generational trauma, and how people react differently to it. Each of the adult Crain children represent a different method of coping – or in some cases, denial – with trauma. Plus, it’s really creepy and cool and fucked up. In fact I’d go so far as to say it’s scary, a word I too rarely use when describing horror films.
So with that under his belt I give Mike Flanagan the benefit of the doubt… even when it comes to Doctor Sleep. In fact, Hill House might be the thing that makes me believe Flanagan is the actual best director for this film.
Continue reading “Sober Up For DOCTOR SLEEP”
Trailer after the jump.