Now that the Skywalker Saga is over, what is the future of Star Wars? Where does the story and the universe go from here? There’s one avenue I’d love to see explored, and it’s one that The Rise of Skywalker totally whiffed: L3-37.
You may very well be asking yourself that eternal question, “What the fuck is L3-37?” Yes, it’s a way that teenaged hackers used to say ‘elite’ on the internet. But it’s also the name of a character from Solo: A Star Wars Story, a character who has incredible and disturbing implications for the entirety of the Star Wars universe.
In that film L3-37 was Young Lando Calrissian’s droid buddy. Voiced by Phoebe Waller-Bridge, L3-37 was a saucy droid who, seemingly, really wanted to bone down with Lando. But more than that, she really wanted droid liberation – for the first time in any of the Star Wars films we got a sense of a droid that understood the political meaning of its servitude. C3P0 had an existential understanding – “We were made to suffer,” he once whined – but he never addressed the immediate inequality that defines human/droid relations. Droids in the Star Wars universe are slaves.
Continue reading “STAR WARS: Justice For L3-37”
This contains spoilers for Solo: A Star Wars Story.
Fans complain that The Last Jedi did Luke Skywalker dirty, but I think that the end of Luke’s story tracks really nicely. Luke was never one for the hard work – he was always imagining some other life for himself. When he was on Tatooine he wanted to join the academy, when he was on Dagobah he wanted to go be in the fight. These were the times in his life when he needed to hunker down and do the hard work, the unglamorous work, and his instinct was to take off and find something more romantic and exciting. What’s more romantic and exciting for a holy man than fucking off and becoming a mystical hermit? When his new academy failed, Luke didn’t decide to put in the hard work of trying again (or tracking down Kylo Ren), but rather disappeared to a small island to live out his monastic fantasies. And for Luke to feel like a failure is perfectly in character – look at how quickly he quits on Dagobah. Luke’s first instinct is to give up.
Now Han Solo on the other hand… that’s a character who got done dirty, and I think Solo: A Star Wars Story makes his end even sadder and his final days even more pathetic. I never liked what JJ Abrams did to Han in The Force Awakens, but now it feels downright disrespectful.
Continue reading “The Tragedy Of Han Solo”
This contains spoilers for Solo: A Star Wars Story.
Droids are sentient. We’ve known this since 1977, when we first met R2D2 and C3P0 and saw them make decisions as the Tantive IV was being boarded. It became clearer on Tatooine, where R5D4 faked a blown motivator to keep the two friends together, and it was quite clear when we learned about restraining bolts, devices intended to keep droids from making their own choices.
As the Star Wars saga has gone on we have seen that droids have rich emotional lives. R2D2 seems to shut down in response to Luke going missing. K2SO has a deep camaraderie with Andor. C3P0 suffers from what seems to be generalized anxiety disorder. And yet every character in the saga treats droids, at best, like pets. Most of the time, though, they’re treated like slaves. 3P0 especially is consistently dragged into situations that he does not want to be in, fighting for a cause that has no bearing on his existence.
Enter L3-37. Lando Calrissian’s droid co-pilot, L3 is a robot who is, in the parlance of the modern era, becoming woke. When we meet L3 in Solo: A Star Wars Story she is already sickened by the way droids are treated in the STAR WARS universe, and we see her trying to break up a bot battle in a seedy cantina. She appeals to the droids in the ring, and she threatens the referee. “You’re being exploited!” she cries (I’m paraphrasing here), a sentiment familiar to many marginalized groups over history. Droids are not allowed in that bar… except to fight for the death.
Continue reading “Droids Are People Too: The Life And Metaphysics Of L3-37”
Solo: A Star Wars Story is a trifle. Solo is a puff pastry of a movie. Solo is a lark. But none of those things are inherently bad, and in fact they’re kind of refreshing. In the main Star Wars saga we get movies about the big, dramatic moments in galactic history. In Rogue One we got a movie about a small but vital moment in galactic history. In Solo we get a fun heist with some enjoyable double crossing and reversals that has plenty of connections to the larger Star Wars universe but that is more interested in exploring small parts of relationships rather than big pieces of canon.
It definitely feels like a prequel, but not to Star Wars; Solo ends in a way that seems to be setting up a major storyline for some future media (a sequel? A cartoon? A series of comics? Masters of Teras Kasi 2?), and it expands out the criminal underworld of Star Wars enough to offer space for all sorts of other spin-offs. There is always a small universe problem plaguing the Star Wars films – everybody talks about the same six planets, after all – but I actually think Solo carves out enough new space (and illuminates existing space in enough interesting ways) to give the Star Wars universe a little extra breathing room.
Continue reading “SOLO: A STAR WARS STORY Review”