Yesterday the internet was aflame with the news that, in the wake of the ultra-successful Spider-Man: Far From Home, Disney and Sony would be parting ways on the Spider-Man character. It’s pretty big news in terms of modern blockbuster filmmaking, but it didn’t feel too surprising to me.
After all, Venom‘s success was the worst thing that could happen to Spider-Man – it convinced Sony it knew how to make these movies.
Continue reading “About All The Spider-Man Mishigoss”
Nobody puts on an announcement like Marvel Studios; since the death of Steve Jobs Kevin Feige has become the number one “standing on a stage and announcing thing” guy in the world, and this year’s slew of reveals at San Diego Comic-Con was no different. Feige laid out Phase Four of the Marvel Cinematic Universe, although I don’t love this – we only got two years worth of releases, and no climaxing team-up as we have had in the previous three Phases.
If Phase Four is just a bunch of movies, what even is a Phase anymore? I certainly would like this cleared up, because one of the things that has been great about the MCU to date is that each Phase has felt like a chapter, and they have all been leading up to something. Unless the Doctor Strange or Thor movies are some sort of culmination film, we’re dealing with a little wayward Phase here. An intermediary phase. Intermezzo Phase. And it could be Intermezzo because it lost the big player it was counting on Guardians of the Galaxy Volume 3.
Continue reading “Intermezzo Phase: A Look At Marvel’s Phase Four”
This contains spoilers for Avengers Endgame.
When is a movie not movie? This isn’t some kind of riddle, but rather an attempt to figure out how to approach a film like Avengers Endgame, which feels not quite like a motion picture as we define them and more like an event. It’s an experience first and foremost, a movie second… and I wonder how much that matters. How much does it matter that the ending works more as fan service than as logic? How much does it matter that the movie completely betrays Steve Rogers’ character to get to a teary-eyed smile at the end?
Thinking about Endgame I find myself thinking about It’s A Mad, Mad, Mad World, the epic blockbuster comedy from Stanley Kramer. It’s stuffed to the gills with superstars, and it was originally bladder-shatteringly long (197 minutes! A comedy!). In terms of things like ‘plot’ and ‘structure’ it isn’t strong, but it makes up for all of that with the charm of Milton Berle and Buddy Hackett and Ethel Merman and Phil Silver. It features a stunning parade of cameos, including Jack Benny, ZaSu Pitts and Buster Keaton It’s not nuanced or subtle, and it’s hugeness and broadness is part of the point; it’s a big screen comedy released at a time when the movies were feeling TV nipping at their heels.
It’s all really familiar.
Continue reading “AVENGERS ENDGAME: More Event Than Movie”
Ten years. That should be long enough, right? Ten years should be long enough for everybody working in the world of film criticism (and those hopefuls filling Film Twitter with their hottest of takes) to get used to what Marvel Studios is doing with their Cinematic Universe, right? I mean, there are critics out there whose careers began well after Marvel started laying the groundwork for its universe, so it isn’t like they’re having to adjust to this stuff.
Fan Twitter got upset with Richard Brody’s dismissive New Yorker review of Infinity War (weirdly the review reads like he really liked the movie but doesn’t know how to cop to that fact). As always on Twitter people overreacted, but I think Brody’s review offers a good look at just how hollow the “these movies are ads for other movies” attitude is.
Continue reading “It’s Time To Stop Complaining About The Marvel Movies”
We’re 18 movies into the Marvel Cinematic Universe, with another two to come this year. We’re 123 superhero films deep, according to BoxOfficeMojo (but they don’t have Abar, The First Black Superman on their list, so who knows how many other holes there are. But 123 sounds fine for the purposes of this rereview). And not one of those 18 MCU movies, and not one of those 123 superhero movies have a moment of pure, beautiful, inspiring, chest-tightening, hope-raising heroism as good as the one featured in Captain America: The First Avenger.
And get this: the moment happens before Steve Rogers even turns into Captain America.
Continue reading “CAPTAIN AMERICA: THE FIRST AVENGER Rereview”
This is the thought that kept going through my head while revisiting Thor on this runup to Infinity War. Back in 2011 I hated this movie, thought it was just simply the worst of the worst and a huge, boring misstep for Marvel Studios. Today I look at it and see that it’s a movie developed in a world where comic book movies hadn’t yet entered their modern age, and the film has echoes of a landscape where David Hasselhoff played Nick Fury and where superheroes and their enemies usually had their final battle in a warehouse, or on docks, or on a bridge. Marvel knew how to make more grounded characters like Iron Man or more familiar characters like the Hulk work, but Asgardian gods? Space cities? Magic and high weirdness? They weren’t quite ready to commit just yet. Looking back from the post-Thor: Ragnarok vantage point how can we say anything but “How quaint”?
Continue reading “THOR Rereview”
Twenty minutes into The Incredible Hulk I thought to myself, ‘Holy shit, is this actually a forgotten masterpiece in Marvel’s Phase One?’ Thirty minutes later I realized that no, this was in fact not the case. But by the time this rewatch was over, I had come to a heretical position – I think I like Ed Norton as Bruce Banner more than Mark Ruffalo.
Look, I’m not running down Ruffalo. I love him, and I love him in the Marvel movies. I love him as Science Bros with Tony Stark and I love him as Charles Grodin in Thor: Ragnarok’s take on Midnight Run. But Ruffalo and Norton approach the role in such different ways that the two Banners feel like different characters, and I do have a preference for one version over the other.
Continue reading “THE INCREDIBLE HULK Re-Review”