Never forget that George Lucas was ripping off a lot of stuff when he made Star Wars. This is vital, and it’s a part of Star Wars’ DNA. It is also, I believe, why the first episode of The Mandalorian works so damn well.
See, modern Star Wars seems to be interested in aping old Star Wars as opposed to taking a page from the Lucas playbook and ripping off other movies. Star Wars, to borrow a phrase, is a place, and that means you can take other films and genres and easily drop them into a Star Wars milieu, which is exactly what The Mandalorian does. In this case it’s a Spaghetti/revisionist era Western plopped right into a world of blasters and Gonk droids, and it’s the chemical reaction between Star Wars and the genre that creates the beautiful fizz that makes the episode so damned enjoyable.
Continue reading “THE MANDALORIAN Review”
You may have seen the announcement about Jon Favreau’s live action Star Wars show, The Mandalorian. Set after the events of Return of the Jedi but before The Force Awakens, The Mandalorian will follow a gunfighter in a familiar armor as he travels the Outer Rim of the galaxy. You might look at the first image released and mutter, “What a bullshit attempt to capitalize on the popularity of Boba Fett,” and I get where you’re coming from. You’re coming from the POV of someone who hasn’t watched Clone Wars or Rebels.
Continue reading “Why THE MANDALORIAN Will Probably Be Awesome”
A wise man once noted that it’s a fine line between clever and stupid. There is also a fine line between fun and irritating, between banter and bickering. Iron Man 2 crosses all of those lines, in the process creating the most egregious misstep in the entire Marvel Cinematic Universe to date. Yes, more so than Thor: The Dark World, which for all its problems still has really good chemistry between Thor and Loki. Iron Man 2 loses not only plot coherence and villain quality, it completely throws away the good chemistry between its leads in favor of sniping, unpleasantness and a manic quality that makes it feel like a cocaine movie from the 70s.
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It all started so innocently.
I’m not sure if many of the young fans of the Marvel Cinematic Universe today can truly understand the ways in which Iron Man was a surprise. Every indicator was aligned against it at the time. Marvel Studios was a non-entity at the time, and Marvel Comics had only recently found success on the big screen. Ten years ago the DC characters – specifically the decades-spanning iterations of Batman and Superman – were the titans of comic book adaptations. Spider-Man and the X-Men had done well, but they were Marvel’s two biggest properties. Blade had been a surprise success (kicking off the modern age of comic book movies in its own weird way), but few outside hardcore fandom realized he was a Marvel Universe character.
And then a new studio made a movie about a C-list hero starring a washed-up old partyboy… and everything changed.
Continue reading “IRON MAN (2008) Re-Review”