Zen Mind, Film Critic’s Mind

People say being a movie critic is difficult, but there is a misunderstanding as to why. It is not difficult because it is hard to sit in a dark movie theater and watch a movie, or to go home and write your opinions about that movie. It is difficult because it is hard to keep our mind pure and our criticism pure in its fundamental sense. Film criticism developed in many ways after the advent of the internet, but at the same time, it became more and more impure. But I do not want to talk about Rotten Tomatoes or the blurbing of random Twitter handles. I am interested in helping you keep your criticism from becoming impure.

Okay, I could keep going, rephrasing the first chapter of Zen Mind, Beginner’s Mind, the Buddhist masterpiece by Shunryu Suzuki, to fit into a discussion of film criticism, but I don’t think anybody would get it. I will however keep lifting concepts and ideas from this seminal work, which is mostly about zazen – Zen meditation – but that is also about how to live and create with a beautiful clarity and fluidity by getting back to a beginner’s mind.

Which brings me to the films of John Carpenter.

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HALLOWEEN 2018: The Shape Of Trauma

This contains full spoilers for the 2018 Halloween.

In the original Halloween II there was an elaborate, soap opera-y reason for Michael Myers to come after Laurie Strode yet again – she was his secret sister, and just as he had killed Judith, he wanted to kill Laurie. This kind of explanation was needed to franchise the characters; if you were going to have Laurie and Michael face off again and again you needed to have a reason. As John McClane once wondered, “How can the same shit happen to the same guy twice?” The answer, for decades, was that Michael Myers cared deeply about Laurie.

What Halloween 2018 asks is… what if he didn’t? What if Michael Myers did not care about Laurie Strode at all, but rather Laurie Strode cared so much about Michael Myers that she couldn’t let him go, couldn’t leave him behind, and as such she ends up in the middle of his 40th anniversary prison break, once again being stalked by The Shape who, in other circumstances, would have been happy to just keep killing strangers.

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Michael Myers Is Not Mentally Ill

Lately non-genre publications/sites have been covering genre films, largely because that’s where the clicks lie. You get all the mainstream mags and the generic film blogs covering movies that were once the sole province of Fangoria or Starlog, and sometimes you end up with writers who don’t know a lot about genre doing the coverage. Add to that hot take/problematic culture and you end up with something along the lines of what Little White Lies published recently, “How Halloween stoked our fears and misunderstanding of mental illness” by Frazer Macdonald.

The piece is well-intentioned – it takes to task how horror movies use mental illness as a shortcut to making a villain/killer scary – but it’s applied incorrectly. Very incorrectly. See, Michael Myers isn’t mentally ill. There’s nothing “wrong” with him, nothing to be “fixed” or healed. And that is what makes him scary.

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