This contains full spoilers for Star Wars: The Rise of Skywalker.
As the ending of the “Skywalker Saga” part of Star Wars, The Rise of Skywalker had a lot of lifting to do at the end. Sadly, for me, it didn’t quite get where I wanted it to go and I walked out of the movie feeling like JJ Abrams had just missed a dozen opportunities. The possibilities open to him were incredible, but he kept himself boxed in with a strange adherence to just a small part of George Lucas’ vision.
There’s a lot of talk about how The Last Jedi subverts Star Wars, but I think that talk comes from folks who simply are not familiar with the Prequels. Half the Star Wars movies George Lucas made subverted Star Wars; the reality is that many of us simply didn’t understand it at the time. It wasn’t clear to us that Lucas knew what he was doing when he made the Jedi chumps, when he made the Jedi Council full of shit and when he revealed that the shortsighted pride of characters like Yoda was what led to the rise of the Empire.
This is important because I think many of the missed opportunities in Rise of Skywalker come from Abrams simply not vibing with the Prequels; for him Star Wars is the OT. His films are rehashes of/homages to those initial three films and they largely ignore business and themes from the Prequels. The idea that Star Wars is a story about family is sort of true – that’s what the OT is – but when we bring the PT into it we see that Star Wars is a story with family but that is actually about power and how that power is wielded and by whom. That’s the holistic theme of the six films.
The biggest missed opportunity is about Rey, but before I address that, I want to talk about a couple of other missed opportunities that could have improved TROS, or at least firmly established it as part of a nine film story.
Continue reading “The Missed Rey Opportunity In RISE OF SKYWALKER”
This review is fairly spoiler-free.
In the beginning there was the word, and the word was Starkiller. From this humble start came dozens of iterations, concepts, ideas and drafts until what finally emerged, like a triumphant amphibian climbing from the primordial ooze, was Star Wars, later known as A New Hope.
All beginnings have ends, of course, and 42 years later the ending of that new hope – or one particular aspect of it, anyway – has arrived. I’m tempted to continue the Biblical allusions here and talk about how at the end, as in the end of the Bible, there is a Beast, “having seven heads and ten horns, and upon his horns ten crowns, and upon his heads the name of blasphemy.” Maybe once upon a time I could get have gotten worked up into that John the Revelator mode, but that time is past. I’ve lived through the Prequels and the wars over The Last Jedi; I’ve seen the eradication of swaths of the Extended Universe and I’ve witnessed the birth of a really coherent and exciting transmedia canon. I’ve seen worse, and I’ve seen better, and in the end The Rise of Skywalker is more a disappointment than a blasphemy. And who can worry about blasphemies in Star Wars post-midichlorians anyway?
Continue reading “STAR WARS: THE RISE OF SKYWALKER Taught Me To Love The Prequels”
Ben Solo is going to get redeemed. You can count on it, at least if JJ Abrams understands even the smallest thing about the moral universe that George Lucas created in the first six Star Wars films. Redemption is as baked into the DNA of Star Wars as lightsabers and space battles, and to swerve away from that in the supposed final chapter of the Skywalker saga would be far more shocking than killing off all the characters at the end of Rogue One. Whether that redemption involves a love scene with Rey remains to be seen (don’t count on it), but by the end of the film Kylo Ren will have returned to being Ben Solo, and he will have found redemption.
Continue reading “Kylo Ren vs Cancel Culture”
Today’s big news is that JJ Abrams and his Bad Robot will be leaving Paramount to set up shop at Warner Media in a very lucrative deal that will see JJ producing movies, TV and games for WB. It’s a big move, and it’s part of WB’s recent signings intended to try and safeguard some talent from being tied up at Disney forever and ever.
The word is that Warner Bros wants JJ to create original, new franchises, and that’s admirable, but I’m not sure he’s the guy. Let’s put it this way: he’s never done that. He’s created/produced some successful TV series, and I think he’ll probably do more of that with Warner, but he’s not launched a new movie franchise yet.
Continue reading “Is JJ Abrams Coming to Rescue the DC Movieverse?”
We have the technology to create anything on the screen, and we keep using that technology to create realistic things. JJ Abrams helped usher in an era of monsters that are based on real biology, that look like they could really exist, which has led to a glut of boring and samey looking CGI monsters. The Transformers movies gave us robots that had every single gear, piston and rivet that would be needed to change from a humanoid to a vehicle, and that meant incomprehensibly complicated designs that had no personality. And even going beyond CGI, our superhero movies have these depressingly low-imagination tendency of keeping the characters in tactical outfits, basically less colorful and less wild versions of their iconic comic book costumes.
Realism is the disease. Detective Pikachu is the cure.
Continue reading “POKEMON: DETECTIVE PIKACHU Is The Most Aesthetically Important Blockbuster Of The Century”
There was this party at Comic-Con one year where I got absolutely hammered and I cornered JJ Abrams. This was when it had been announced that Star Trek Into Darkness was happening, but we knew nothing else about the movie. I had enjoyed the first Abrams Trek, although I thought it was a mess; one of my least favorite things about it was Nero. I thought the character was hollow and empty and violated one of the main tenets of good Trek.
Good Trek, I slurred to poor JJ that night, doesn’t have a villain. It may have an antagonist, but it doesn’t have a villain. This is hard to argue because everybody’s favorite Trek thing is Wrath of Khan, a movie featuring one of the great screen villains. But I would argue that movies like Star Trek: The Motion Picture and Star Trek IV: The Voyage Home, neither of which has a villain, are the most Trek-y movies of them all.
Continue reading “Review: SHORT TREKS: “Runaway””
I need to learn the most valuable lesson about writing TV criticism: don’t do it until the season is over. Maybe wait until the whole darn show is over. Again and again I’ve gotten really excited about a show and recommended it, only to see the show sink into a morass as soon as I’ve pledged allegiance. My timing is bad.
The latest show to fit into this pattern? Hulu’s Castle Rock, which had an extraordinary first act. I was really smitten with the show, and at the beginning it seemed to be setting up an exciting world and great characters, tying lightly into the Stephen King megaverse but mostly getting the King flavor absolutely right. So what the hell happened?
Continue reading “CASTLE ROCK Blew The Ending”
The only way Castle Rock could be more Stephen King-y would be if the lead character were a novelist. In fact, there are no novelists yet introduced on the show, a huge oversight if you ask me. Maine, as I understand from King’s work, is thick with novelists. You can’t run into an ancient curse or a terrifying entity without finding a novelist somehow tied up in the whole thing.
I don’t love writing about TV shows while they’re still airing – they could shit the bed at any moment! – but it feels important for me to tell you that Castle Rock is, three episodes in, quite good. And it’s quite good in a way that feels unique to the King ouvre; this is a show that gets what the experience of reading King is, and unlike almost ALL the adaptations ever attempted of the Master, it captures that experience. Again, Castle Rock could absolutely fall apart this week, but the first three episodes lay such a solid foundation that I could believe the show might be able to recover from a serious episode four stumble.
Continue reading “CASTLE ROCK Truly Shines”