We have the technology to create anything on the screen, and we keep using that technology to create realistic things. JJ Abrams helped usher in an era of monsters that are based on real biology, that look like they could really exist, which has led to a glut of boring and samey looking CGI monsters. The Transformers movies gave us robots that had every single gear, piston and rivet that would be needed to change from a humanoid to a vehicle, and that meant incomprehensibly complicated designs that had no personality. And even going beyond CGI, our superhero movies have these depressingly low-imagination tendency of keeping the characters in tactical outfits, basically less colorful and less wild versions of their iconic comic book costumes.
Realism is the disease. Detective Pikachu is the cure.
Continue reading “POKEMON: DETECTIVE PIKACHU Is The Most Aesthetically Important Blockbuster Of The Century”
There was this party at Comic-Con one year where I got absolutely hammered and I cornered JJ Abrams. This was when it had been announced that Star Trek Into Darkness was happening, but we knew nothing else about the movie. I had enjoyed the first Abrams Trek, although I thought it was a mess; one of my least favorite things about it was Nero. I thought the character was hollow and empty and violated one of the main tenets of good Trek.
Good Trek, I slurred to poor JJ that night, doesn’t have a villain. It may have an antagonist, but it doesn’t have a villain. This is hard to argue because everybody’s favorite Trek thing is Wrath of Khan, a movie featuring one of the great screen villains. But I would argue that movies like Star Trek: The Motion Picture and Star Trek IV: The Voyage Home, neither of which has a villain, are the most Trek-y movies of them all.
Continue reading “Review: SHORT TREKS: “Runaway””
I need to learn the most valuable lesson about writing TV criticism: don’t do it until the season is over. Maybe wait until the whole darn show is over. Again and again I’ve gotten really excited about a show and recommended it, only to see the show sink into a morass as soon as I’ve pledged allegiance. My timing is bad.
The latest show to fit into this pattern? Hulu’s Castle Rock, which had an extraordinary first act. I was really smitten with the show, and at the beginning it seemed to be setting up an exciting world and great characters, tying lightly into the Stephen King megaverse but mostly getting the King flavor absolutely right. So what the hell happened?
Continue reading “CASTLE ROCK Blew The Ending”
The only way Castle Rock could be more Stephen King-y would be if the lead character were a novelist. In fact, there are no novelists yet introduced on the show, a huge oversight if you ask me. Maine, as I understand from King’s work, is thick with novelists. You can’t run into an ancient curse or a terrifying entity without finding a novelist somehow tied up in the whole thing.
I don’t love writing about TV shows while they’re still airing – they could shit the bed at any moment! – but it feels important for me to tell you that Castle Rock is, three episodes in, quite good. And it’s quite good in a way that feels unique to the King ouvre; this is a show that gets what the experience of reading King is, and unlike almost ALL the adaptations ever attempted of the Master, it captures that experience. Again, Castle Rock could absolutely fall apart this week, but the first three episodes lay such a solid foundation that I could believe the show might be able to recover from a serious episode four stumble.
Continue reading “CASTLE ROCK Truly Shines”