AD ASTRA: God Is Dead

This contains spoilers for Ad Astra

Near the end of Ad Astra the camera pans over screens showing exoplanets, captured for the first time in some kind of detail. The images are the kind we’re familiar with when it comes to our own outer planets – fuzzy, distant, with indistinct geographical features that require the interpretation of scientists to look like anything other than squiggly lines and discoloration. And yet over this is a Brad Pitt narration – the continuation of a film’s worth of droning Brad Pitt narration – that informs us how beautiful and amazing these images are. 

This, I think, sums up a lot of what I don’t like about Ad Astra, a movie whose title is To the Stars, but which is pretty intent on telling us there’s no good reason to ever go there. It’s not that images of exoplanets are boring, it’s that the film’s imagination is limited to indistinct pictures of them on screens. Cinema can take us anywhere, and yet Ad Astra takes us to an underground Martian base that looks a lot like the service corridors beneath a football stadium. And movies can make us believe in anything, but Ad Astra asks us to believe there’s nothing. 

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