This contains spoilers for Solo: A Star Wars Story.
Fans complain that The Last Jedi did Luke Skywalker dirty, but I think that the end of Luke’s story tracks really nicely. Luke was never one for the hard work – he was always imagining some other life for himself. When he was on Tatooine he wanted to join the academy, when he was on Dagobah he wanted to go be in the fight. These were the times in his life when he needed to hunker down and do the hard work, the unglamorous work, and his instinct was to take off and find something more romantic and exciting. What’s more romantic and exciting for a holy man than fucking off and becoming a mystical hermit? When his new academy failed, Luke didn’t decide to put in the hard work of trying again (or tracking down Kylo Ren), but rather disappeared to a small island to live out his monastic fantasies. And for Luke to feel like a failure is perfectly in character – look at how quickly he quits on Dagobah. Luke’s first instinct is to give up.
Now Han Solo on the other hand… that’s a character who got done dirty, and I think Solo: A Star Wars Story makes his end even sadder and his final days even more pathetic. I never liked what JJ Abrams did to Han in The Force Awakens, but now it feels downright disrespectful.
Continue reading “The Tragedy Of Han Solo”
Solo: A Star Wars Story is a trifle. Solo is a puff pastry of a movie. Solo is a lark. But none of those things are inherently bad, and in fact they’re kind of refreshing. In the main Star Wars saga we get movies about the big, dramatic moments in galactic history. In Rogue One we got a movie about a small but vital moment in galactic history. In Solo we get a fun heist with some enjoyable double crossing and reversals that has plenty of connections to the larger Star Wars universe but that is more interested in exploring small parts of relationships rather than big pieces of canon.
It definitely feels like a prequel, but not to Star Wars; Solo ends in a way that seems to be setting up a major storyline for some future media (a sequel? A cartoon? A series of comics? Masters of Teras Kasi 2?), and it expands out the criminal underworld of Star Wars enough to offer space for all sorts of other spin-offs. There is always a small universe problem plaguing the Star Wars films – everybody talks about the same six planets, after all – but I actually think Solo carves out enough new space (and illuminates existing space in enough interesting ways) to give the Star Wars universe a little extra breathing room.
Continue reading “SOLO: A STAR WARS STORY Review”