Does Grant Morrison’s ALL-STAR SUPERMAN Give Us The Ending Of HBO’s WATCHMEN?

This will contain spoilers for All-Star Superman and Watchmen on HBO. Spoilers for Watchmen will only be for what has aired, as I don’t have access to screeners. 

We’re at the end of this season of Watchmen, HBO’s audacious sequel to the Alan Moore/Dave Gibbons masterpiece. I have a lot of feelings about the show (I’ve written a thousand words I’ll probably never publish about whether or not it was correct to answer a question Moore purposefully and thematically left unanswered in the comic. The show is very good, but as a huge fan of the comic (I have a Dr. Manhattan tattoo!) I get twitchy about some things), but in general it’s been absolutely amazing. 

What’s been most amazing about the show – so far – is how thematically and emotionally in line with Watchmen the comic it is, while at the same time seeming to push back on some of the comics’ initial thesis. Moore and Gibbons were doing a deconstruction in Watchmen, taking apart superheroes and displaying their fascism and perversion. He was taking the white adolescent male power fantasy and peeling away the veneer and showing the ugliness beneath it. But Damon Lindelof’s (and company) take on the sequel feels more like a reconstruction.

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