The First Purge is a searingly angry film, a scifi movie whose subtextual messaging is so barely subtextual that the film plays less like an alternate future than a prescient look at the day after tomorrow. The film is a howl of rage not at an imaginary Purge but at the slow and deliberate genocide being visited upon black and brown families in our country today, right now, a genocide carried out by cops and ICE and broken social service systems that not only devalue black and brown suffering, but possibly sees it as a perk.
If that’s a big statement to make about the fourth Purge movie, the fourth Purge movie is a big statement. As the blazingly political fourth film in a series, The First Purge is filled with the DNA of Conquest of the Planet of the Apes, a movie that modeled its ape uprising scenes on footage of the Watts Riots. As a die-hard Apes fan this is not a comparison I make lightly; I don’t think The First Purge is as good as Conquest (screenwriter James DeMonaco is definitely no Paul Dehn), but it’s a descendant of that movie, and like Conquest I think The First Purge will play stunningly to future audiences who won’t quite be able to believe a movie this nakedly political and angry was also an exploitation quickie.