BLINDSPOTTING: Being A Felon, A Human, An Optical Illusion

This contains spoilers for Blindspotting.

There’s an optical illusion at the center of Blindspotting, the famous image of a vase that, when viewed with the right perspective, becomes two faces. This optical illusion becomes the driving thematic element of the film, and I think it also becomes the meta thematic element of the film – how you look at Blindspotting, what your perspective is, will dictate what you see in Blindspotting.

For some it will be the gentrification that permeates every block in modern Oakland, transforming the city in which Collin (Daveed Diggs) and Miles (Rafael Casal) grew up, transforming it around them storefront by storefront. For some it will be the constant threat of police violence that hangs over Collin, a black man just trying to walk down his own street, haunted by seeing another black man gunned down while fleeing the cops. For others it will be the ways Miles desperately grabs for identity as he drowns in a sea of anger and resentment, a white man growing up in a black culture in which he can never truly participate, and yet apart from the white gentrifiers invading his community.

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