There are no churches on Walt Disney’s Main Street, USA.
When Walt decided to recreate his vision of small town America for his theme parks, the one thing he left out – the one thing he didn’t want amid the restaurants and shops, Town Hall and the windows advertising dentists and doctors – was a church. That wasn’t an accident. Growing up under a strict fundamentalist father, Walt veered towards a kind of secular humanism. But more than that, he had the stroke of genius to understand that the religious future of America was ecumenical and interfaith. He didn’t want to ground his nostalgic look back at turn of the century America in things that he sensed would soon be out of style.
Continue reading “Disney’s HUNCHBACK: Dark, Sensual, Religious and Weird”
Never forget that George Lucas was ripping off a lot of stuff when he made Star Wars. This is vital, and it’s a part of Star Wars’ DNA. It is also, I believe, why the first episode of The Mandalorian works so damn well.
See, modern Star Wars seems to be interested in aping old Star Wars as opposed to taking a page from the Lucas playbook and ripping off other movies. Star Wars, to borrow a phrase, is a place, and that means you can take other films and genres and easily drop them into a Star Wars milieu, which is exactly what The Mandalorian does. In this case it’s a Spaghetti/revisionist era Western plopped right into a world of blasters and Gonk droids, and it’s the chemical reaction between Star Wars and the genre that creates the beautiful fizz that makes the episode so damned enjoyable.
Continue reading “THE MANDALORIAN Review”