Now On Patreon: THE SPOOK WHO SAT BY THE DOOR (1973)

Subscribers to my Patreon get all sorts of exclusive stuff, including podcasts and long form pieces like this one I published today. Here’s an excerpt; to read the whole thing become a member at the $10 level at www.patreon.com/cinemasangha.

Dan Freeman has planned and plotted the revolution for years, patiently waiting for the moment to activate sleeper cells of Black liberation warriors he has seeded across the country. But in The Spook Who Sat By The Door all of that planning gets undone by a couple of lunkheaded racist cops who shoot a low-level drug dealer in the back in the city of Chicago. As the people rise up on their own, as the streets become choked with angry faces and violent cops, Dan has no choice but to light the fuse of the national uprising he has prepared. 

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BLACKkKLANSMAN Is The Year’s Most Important Work Of Film Criticism

The first image in Spike Lee’s Blackkklansman is a scene from Gone With the Wind. The last is a memorial to Heather Heyer, murdered one year ago while protesting racism in Charlottesville. In between is a movie that, as much as it is telling a true story, is also meditating on the ways that the images we consume of ourselves and of others impacts us. Blackkklansman is not just a great piece of filmmaking from one of America’s finest filmmakers, it’s a great piece of film criticism from the man who might be America’s best film critic.

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