Thirteen years ago tonight The Sopranos came to an end. I’ll never forget sitting in my living room in Prospect Heights, Brooklyn, watching alone and thinking my cable went out in the final minutes. I sat there unsure what to do… and then the credits came up.
Over the years there have been arguments and there have been debates about just what happens in the final moments there in Holsten’s Brookdale Confectionery. Theories abound, and any time show creator David Chase speaks about it, people parse his every word for clues and hints. Was Tony Soprano killed? Did he die of a heart attack? Was it us, the audience, who was whacked? Or was this just the endless purgatory Tony would live in, unsure if the next time the door opened it would be someone to kill him or arrest him, a more intense version of Kevin Finnerty’s limbo, where Tony existed after being gutshot by Junior at the beginning of season six?
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People say being a movie critic is difficult, but there is a misunderstanding as to why. It is not difficult because it is hard to sit in a dark movie theater and watch a movie, or to go home and write your opinions about that movie. It is difficult because it is hard to keep our mind pure and our criticism pure in its fundamental sense. Film criticism developed in many ways after the advent of the internet, but at the same time, it became more and more impure. But I do not want to talk about Rotten Tomatoes or the blurbing of random Twitter handles. I am interested in helping you keep your criticism from becoming impure.
Okay, I could keep going, rephrasing the first chapter of Zen Mind, Beginner’s Mind, the Buddhist masterpiece by Shunryu Suzuki, to fit into a discussion of film criticism, but I don’t think anybody would get it. I will however keep lifting concepts and ideas from this seminal work, which is mostly about zazen – Zen meditation – but that is also about how to live and create with a beautiful clarity and fluidity by getting back to a beginner’s mind.
Which brings me to the films of John Carpenter.
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